Friday, October 30, 2009

FILM: The Best Barely Scary Movies for Scaredy Cats

I LOVE HALLOWEEN! But I hate scary movies. Ok, I don't hate them. I just hate the sleepless nights that come along with them. However, there are a few that I feel don't really qualify as "scary," which I would gladly recommend to you fellow scaredy-cats for a fright-lite Halloween weekend.


Teen Horror
These flicks are usually denoted by their young, dimwitted, horny characters, and the psychopath who's trying to give each of them their own gruesomely, melodramatic death scene. What makes them hardly scary is the semi-bad acting, the somewhat predictable scare tactics, and the soft core porn scenes.

Scream (1996)
Plot: A psychotic serial killer is stalking a group of teens.
Don't be afraid: This is more of a film lecture than anything else. It teaches you the basic rules of teen horror movies, while exploiting them shamelessly. It lives up to its title with some of the best screams in film history. Not to mention, David Arquette plays a push-over cop, his wife Courtney Cox channels her inner bitch, Jamie Kennedy provides the comic relief, and Neve Campbell delivers on the classic horror movie signifier of terror: the lip quiver.
Leave the lights on: Okay so the mask may not be scary, but when it's coming at you with a meat cleaver, that's a whole different story.

I Know What You Did Last Summer (1997) &
I Still Know What You Did Last Summer (1998)
Plot: Four teens (Jennifer Love Hewitt, Sarah Michelle Gellar, Freddie Prinze Jr., and Ryan Phillippe) are in grave danger one year after their car hits a stranger whose body they dump in the ocean.
Don't be afraid: It's just a fisherman with a hook. It really isn't that big of a deal. Peter Pan's Hook is more menacing. However, I will admit that the sequel, which includes Mekhi Phifer ("Lie to Me"), singer Brandy Norwood, Matthew Settle ("Gossip Girl"), and Jennifer Esposito ("Samantha, Who?"), does get your blood-pumping when you realize the fisherman now has a mysterious partner who lured them to a deserted island to get picked off. But, of course, with all of the random nudity, Hewitt's overracting and skin tight clothing, and the handsomeness of Prinze Jr. amplified in pouring rain, your blood pressure will remain relatively steady.
Leave the lights on: Watching someone get stabbed is gross. Watching someone get hooked is unbelievably gross. You might join PETA after this.

Disturbing Behavior (1998)
Plot: The new kid (James Marsden) in town stumbles across something sinister about the town's method of transforming its unruly teens into upstanding citizens.
Don't be afraid: It's just commentary on how adults try to turn teenagers into law-abiding, mindless robots. Plus, anything involving Katie Holmes can't be that scary, right? I mean, intentionally anyway.
Leave the lights on: Hoards of teenagers losing their mind can be a little unnerving, especially when their gut reaction is to kill you for not conforming. Peer pressure at its worst.

Halloween H20: 20 Years Later (1998)
Plot: Laurie Strode (Jamie Lee Curtis), now the dean of a Northern California private school with an assumed name, must battle the Shape one last time and now the life of her own son (Josh Hartnett) hangs in the balance.
Don't be afraid: Sequels are rarely as terrifying as the original. Twenty years have passed and we're all too familiar with this particular villain to be genuinely terrified of his white mask, bad wig, and kitchen knife.
Leave the lights on: You would think that such a giant man would make more noise while approaching and wouldn't be able to sneak up on a person who is clearly listening intently for his footsteps. But the quieter it gets, the louder your heartbeat becomes.

Urban Legend (1998)
Plot: A college coed suspects that murders around her campus are connected to urban legends.
Don't be afraid: You can drool over a post-"My So Called Life"/pre-rock band Jared Leto, swoon over a blond Joshua Jackson, and gawk at a pre-"Smallville" Michael Rosenbaum with a full head of hair. This is definitely one of those films that's filled with so many attractive people, including Rebecca Gayheart, Alicia Witt, and a pre-alcoholic Tara Reid, that it's hard to be frightened by or for any of them.
Leave the lights on: An urban legend is kind of like a cliche, they're well-known for a reason. Somebody had to have died that way...or so you'll soon believe.

Final Destination (2000)
Plot: After having a vision of his friends crashing in a plane, Alex (Devon Sawa) tells them not to board. After it crashes, the survivors start getting killed in accidents one by one.
Don't be afraid: Alright so maybe you won't want to board a plane any time soon, but you'll be so amped to see how each character is creatively picked off by Death that you won't even notice how unbelievably terrifying the notion is.
Leave the lights on: If you begin to overthink the film, you will drive yourself crazy. The idea of it being your fate to die at a specific time, compounded with the amount of people in real life who've escaped death only to die a few days or years later in the very same way they would've died before, will probably keep you up all night.

Jeepers Creepers (2001)
Plot: A brother (Justin Long) and sister (Gina Phillips) driving home for spring break through the isolated countryside encounter a flesh-eating creature on the last day of its ritualistic eating spree.
Don't be afraid: The victims are pretty proactive in this film. There's a whole lot of effective evasion going on, and even a pretty satisfying running-over technique that the heroine utilizes to a humorously repetitive degree. Plus, most of it takes place in the daytime.
Leave the lights on: Okay, I've gotta be honest with you. I would never watch this movie again. It scared the crap out of me! But that's mainly because anything involving the wide open road and farm fields, generally puts me on edge. Oh and the creature's license plate says "BEATINGU," which I first read as "beating u," but then realized it actually said, "b eating u." I know. Take a deep breath. He can't hurt you.

Reader Suggestions: When a Stranger Calls (2006)


Supernatural Horror
Vampires, werewolves, and witches, oh my! Every decade has a new batch of mystical characters that terrorize and manipulate the cinematic masses. Some are misunderstood outcasts and some are power-hungry lunatics. How scary they get all depends on how much they give in to their true nature.

The Lost Boys (1987)
Plot: After moving to a new town, two brothers (Jason Patric and Corey Haim) are convinced that the area is frequented by vampires.
Don't be afraid: It's the Coreys! That's right Corey Feldman is in this one too. When these two get together, goofy fun is usually the main objective. Plus, this film is probably the most realistic portrayal of how a teenager would react if they discovered that vampires really do exist...as opposed to how they react these days (by falling in love with them).
Leave the lights on: Um, like I said, these aren't Twilight vampires. You may find a vamped-out, 21-year-old Kiefer Sutherland hot, but you won't be falling in love with him. Not to mention, one scene in particular will pretty much ruin Chinese food for you until at least New Years'.


Buffy the Vampire Slayer (1992)
Plot: A flighty teenage girl (Kristy Swanson) learns that she is her generation's destined battler of vampires.
Don't be afraid: The vampires float, dress in punk and grunge clothing, and their maker tries to seduce his victims into submission. Plus, it's very light on the gore.
Leave the lights on: They're pretty relentless and they're everywhere.
The Craft (1996)
Plot: A newcomer (Robin Tunney from "The Mentalist") to a Catholic prep high school falls in with a trio of outcast teenage girls (Neve Campbell, Fairuza Balk, and Rachel True) who practice witchcraft, conjuring up various spells and curses against those who even slightly anger them.
Don't be afraid: It's just a bunch of schoolgirls screwing with each other and using magic for mindless things, like levitation, changing their hair color, and controlling cute boys. It's like Heathers meets Teen Witch
Leave the lights on: High school girls can be a little vicious when it comes to getting the respect they obsessively desire. Plus, there are a few gross-out moments.


Blade (1998)
Plot: A half-vampire, half-mortal man (Wesley Snipes) becomes a protector of the mortal race, while slaying evil vampires.
Don't be afraid: The hero is like the Batman of vampires, complete with martial arts and sword-fighting skills. Plus, his enemy (Stephen Dorff) will hardly get your blood pumping.
Leave the lights on: Evil vampires who blend into our nightlife and treat humans like cattle are a little creepy.

Practical Magic (1998)
Plot: Two sisters (Sandra Bullock and Nicole Kidman) learn the price of their supernatural gifts the hard way. They must figure out a way to fight the family curse before they're doomed to a life without love.
Don't be afraid: Bullock's love story is very sweet and you root for her character to break the curse that plagues her family.
Leave the lights on: There's a scene with Goran Visnjic that has always creeped me out. He's just singing, but...he's supposed to be dead so...and when he possesses Kidman and whispers "hijaaaaa" in Bullock's ear all ghost-like, *shivers* it still gives me the heebee jeebees.


Queen of the Damned (2002)
Plot: The vampire Lestat (Stuart Townsend) becomes a rock star whose music wakes up the queen (Aaliyah) of all vampires.
Don't be afraid: Have you read the plot? These vampires are a little more concerned with their looks than your average bloodsucker. Plus, the historical flashbacks, hero agenda, and female villain diminish the fear factor substantially.
Leave the lights on: There is a LOT more blood than you would expect this film to have.

Underworld (2003)
Plot: Selene (Kate Beckinsale), a beautiful vampire warrior, is entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael (Scott Speedman), a newly-turned werewolf who gets caught between the warring clans.
Don't be afraid: For one thing, there's a surprisingly romantic love story between a vampire and a human/werewolf, and for once the vampire is female. Plus, Selene rocks a sexy, skin-tight suit and has badass sword-fighting skills.
Leave the lights on: Those werewolves look like rabid dogs on steroids. Seriously, give your dog some NyQuil or something, because you will not want to come across them in the middle of the night.

Constantine (2005)
Plot: It's the story of irreverent supernatural detective John Constantine (Keanu Reeves), who has literally been to hell and back. Known for his knowledge on how to return, he is sought after by a woman (Rachel Weisz) whose twin sister committed suicide so she wouldn't have to be the vessel for the Devil's son.
Don't be afraid: Shia Labeouf provides the viewer with a little comic relief. And if that doesn't reign in your heart rate, try to become fascinated with the attempt at a philosophical debate about heaven and hell.
Leave the lights on: Demons come to Earth and influence human behavior, the Devil stops time to pay the antihero a not-so-friendly visit, and even an Angel resorts to sinful acts. Geesh, when you can't trust an Angel, who can you trust?

Cursed (2005)
Plot: A werewolf loose in Los Angeles changes the lives of two siblings (Christina Ricci and Jesse Eisenberg), who, after being infected by a beast, learn they must kill their attacker if they hope to change their fate to avoid becoming werewolves too.
Don't be afraid: It has one of the least realistic werewolves you'll ever see, Joshua Jackson lays on the charm, and, this is one of the first times Eisenberg displays his mainstream humor—the best of which involve his confrontations with a homophobic jock (Milo Ventimiglia from "Heroes"), who has a secret of his own.
Leave the lights on: This probably has one of the most sadistic werewolves in film history, considering that most of the time such a personality is attributed to vampires.

The Covenant (2006)
Plot: Four young men (Steven Strait, Taylor Kitsch, Toby Hemingway, and Chace Crawford) who belong to a supernatural legacy are forced to battle a fifth power (Sebastian Stan) long thought to have died out. Another great force they must contend with is the jealousy and suspicion that threatens to tear them apart.
Don't be afraid: There's nothing particularly terrifying about this film. It's basically five very attractive boys having a catfight.
Leave the lights on: Male witches are little more sadistic than female witches when trying to kill each other.

Jennifer's Body (2009)
Plot: A newly possessed cheerleader (Megan Fox) turns into a killer who specializes in offing her male classmates. Can her best friend (Amanda Seyfried) put an end to the horror?
Don't be afraid: Who's afraid of a naked Angelina Jolie doppelganger and girl-on-girl action? (Besides gay guys and the clergy.) Plus, Diablo Cody is the screenwriter and she's known for her biting wit. (Yup, corny pun intended.)
Leave the lights on: A combination of piranha teeth, a voracious appetite, and no moral compass makes for a pretty horrifying succubus.

The Wolfman (2010)
Plot: Upon his return to his (Benicio del Toro) ancestral homeland, an American man is bitten, and subsequently cursed, by a werewolf.
Don't be afraid: There's a sweet love story in the middle of it all and a sorrowful backstory that propels this cursed beast.
Leave the lights on: The big reveal in the end leads to a vicious fight, and the attacks throughout the film are pretty gruesome.

Let Me In (2010)
Plot: A bullied young boy (Kody Smit-McPhee) befriends a young female vampire (Chloe Moretz) who lives in secrecy with her guardian (Richard Jenkins).
Don't be afraid: The story is really about the relationship between two lonely children who learn the true meaning of friendship and sacrifice.
Leave the lights on: The little demon is insatiable and her suffering is graphically gory. Not to mention, when she doles out revenge, she makes a slaughterhouse look like a vegan restaurant.




Reader Suggestions: Interview with the Vampire (1994), The Sixth Sense (1999), The Reaping (2007)


Alien Horror
There's nothing more terrifying than the inexplicable. Extraterrestrials are the most frightening unexplained entities in film history, since they could actually exist—unlike supernatural creatures—and we've yet to prove that they do or don't. The idea of not knowing plagues the human race and has done so since even before "The Twilight Zone" debuted. They could invade our planet. They could abduct us. And, worst of all, they could look like us.

The Faculty (1998)
Plot: Students suspect that their teachers are aliens after bizarre occurrences.
Don't be afraid: The cast includes the cutie-pies Josh Hartnett, Elijah Wood, and Usher, and the "breakout" star Jordana Brewster (The Fast and the Furious). With this attractive of a cast, the sexual tension tends to heat up the screen, especially with a hot teacher like Famke Janssen and a hot nurse like Salma Hayek roaming the halls. Plus, the "creature" that we're supposed to fear comes in an extremely unintimidating package—a naked package.
Leave the lights on: If you've never been in your high school after-hours, this movie will single-handedly dissuade you from ever staying late. Ever.

AVP: Alien vs. Predator (2004)
Plot: During an archaeological expedition in the Antarctic, a team of scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
Don't be afraid: While it's true that the Aliens and the Predators are trying to rack up the most kills in their competition, they are also more interested in killing each other than the humans, so you'll get into choosing a side and rooting for your favorite warrior.
Leave the lights on: Dude. Have you seen Aliens or Predator? There's no actual reasoning with them. They don't talk. This isn't Star Trek.

The Host (2006)
Plot: A monster emerges from Seoul's Han River after a company pollutes it, and attacks the people of the city.
Don't be afraid: At the center of the film is a dad who is on a relentless mission to save his daughter. With the help of his family, he goes head-to-head with a giant slimy beast.
Leave the lights on: The direction is clever enough to make those quick grabs and instant deaths just as terrifying even in daylight. Plus, any time a kid is in danger, you're bound to be on edge.





Reader Suggestions: Invasion of the Body Snatchers (1978), Signs (2002), Invasion (2007), Cloverfield (2008)


Action Horror
Watching a scary movie that has a lot of action and explosions isn't actually all that scary. It's more suspenseful than anything else.

Joy Ride (2001)
Plot: Three young people (Paul Walker, Steve Zahn, and Leelee Sobieski) on a road trip from Colorado to New Jersey play a trick on a trucker through a CB radio. His revenge turns into a deadly game.
Don't be afraid: You can take comfort in the fact that there will never be an instance where you yourself will feel the need to mess with a trucker on a CB radio. Hell, people don't even mess with them at truck stops. So, rest easy. It's a completely implausible scenario. Plus, Walker is smoking hot, especially when he makes his concerned slash exasperated face.
Leave the lights on: Generally, there's a lot of suspense even when you're driving on the highway beside a truck, so imagine if you were on the outside of one without a ton of metal protecting you from skin-to-truck contact. Warning: If you hear a honk coming from outside, you might pee yourself. (Not that I've ever done that.) Also, remember to turn off all your radios properly. You don't want to hear static in the middle of the night.

Resident Evil: Extinction (2007)
Plot: Survivors of the Raccoon City catastrophe travel across the Nevada desert, hoping to make it to Alaska. Alice (Milla Jovovich) joins the caravan and their fight against the evil Umbrella Corp.
Don't be afraid: It's the least scary of the trilogy, taking place mostly in the daytime and containing an incredibly evolved Alice, complete with telekinesis. Why does that matter? I believe the more zombies she kills, the less you should be afraid. Because if she can kill them, then so can you...sort of.
Leave the lights on: They're zombies. Flesh-eating zombies. And they're contagious!! If a simple virus like H1N1 can strike fear into an entire nation, then the mere idea of the Umbrella Corp's virus can pretty much render you catatonic.

Reader Suggestions: The Hitcher (2007)


Psychological Horror
Mind-freaks screw with your perception, the facts, the order of which the story is told, and your general grip on reality. They can be eerie and cause you to question life as you know it, but they're more about suspense than an easy scare.

Psycho (1960)
Plot: A young woman (Vera Miles) steals $40,000 from her employer's client, and subsequently encounters a young motel proprietor (Anthony Perkins) too long under the domination of his mother.
Don't be afraid: Um, by now you should know who the psycho is and the twist at the end concerning the mother figure. But even if you don't, this is more of a psychological thriller, a study of a disturbed mind. It won't make you jump out of your skin.
Leave the lights on: Well, there's the famous shower scene, the big basement reveal, and the creepy-as-heck diatribe in the taxidermy-filled office. But really, when it comes to disturbed personalities, Norman is the king. After all, it's not every day that you check into your future murderer's hotel and have pre-death coffee with him.

The Birds (1963)
Plot: A wealthy San Francisco playgirl (Tippi Hedren) pursues a potential boyfriend (Rod Taylor) to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
Don't be afraid: Okay, so think of Jaws, subtract the aquatic flesh-eating machine, and add a few...hundred black birds—some of which look really fake.
Leave the lights on: I would advise against watching this if you've ever been afraid of birds. The scene where they're all sitting quietly on the front lawn lit by the moonlight might reaffirm that fear. And if you've never even considered birds as a threat...well, let's just say, I wouldn't make any plans to go to the pier any time soon.

Tesis (aka Thesis) (1996)
Plot: Ángela (Ana Torrent from The Other Boleyn Girl), a Spaniard student, is writing a paper on the human fascination of violence. With the help of a student (Fele Martinez from Bad Education) who has his own private collection of violent films, she discovers a snuff movie in which a female student is tortured and killed. She soon becomes obsessed with finding the murderer/director, and begins to suspect everyone she comes across.
Don't be afraid: This is definitely one of those films where you are rooting the heroine on, screaming directions at the television, and rejoicing every time something goes your way. Plus, it's in Spanish, and if you don't know Spanish, subtitles tend to dilute the fear factor.
Leave the lights on: I know that it sounds more like a mystery than a horror movie, but I can assure you that the suspense will have you on the edge of your seat, especially since there are so many viable suspects that she interacts with on a daily basis. Could it be her adorably awkward, antisocial research partner, the dark and mysterious ladies' man (Eduardo Noriega from Vantage Point), or the unassuming, yet well-versed, professor? Or even worse, could it be all of them? dum-Dum-DUM!!!!!


Devil's Advocate (1997)
Plot: A hotshot lawyer (Keanu Reeves) gets more than he bargained for when he learns his new boss (Al Pacino) is Lucifer himself.
Don't be afraid: This is more of a game of cat-and-mouse. It proposes the idea of outsmarting the devil—can it be done and what are you willing to sacrifice to succeed? Plus, Charlize Theron and Connie Nielsen (Gladiator) manage to fog up the screen in a few sexy scenes.
Leave the lights on: There's a little fire and brim stone, a few sadistic psychological torture scenes, and even a little encouraged incest—all of which will most likely give you nightmares, because how can you be sure you're not being tested by the Devil right this moment?

The Others (2001)
Plot: A woman (Nicole Kidman) who lives in a darkened old house with her two photosensitive children becomes convinced that her family home is haunted.
Don't be afraid: It's extremely slow-paced. It's not too big on the visual horror as it is on the eeriness of certain loud sounds and long silences.
Leave the lights on: The twist at the end will make you review everything you've seen so far in your mind, bringing you to the realization that it was all a lot more terrifying than you originally thought.

Identity (2003)
Plot: Stranded at a desolate Nevada motel during a nasty rainstorm, ten strangers (John Cusack, Ray Liotta, Amanda Peet, Alfred Molina, etc.) become acquainted with each other when they realize that they're being killed off one by one.
Don't be afraid: When you realize what's actually happening and where it's happening, it's considerably less terrifying.
Leave the lights on: The surprise murderer will creep you the hell out.

Hard Candy (2005)
Plot: A mature 14-year old girl (Ellen Page) meets a charming 32-year old photographer (Patrick Wilson) on the Internet. Suspecting that he is a pedophile, she goes to his home in an attempt to expose him.
Don't be afraid: This is technically only scary for men, considering how she terrorizes him. For women, it's more of a feminist piece of girl-power cinema.
Leave the lights on: Seriously gentlemen, you don't want to see what she does to his lower regions.

The Happening (2008)
Plot: A strange, horrible and unprecedented crisis begins in Central Park. A high school science teacher (Mark Wahlberg), his wife (Zooey Deschanel) and a young girl (Ashlyn Sanchez) do what they can to survive it.
Don't be afraid: It's a very mellow and slow-paced film—its intensity isn't as exhausting as other films.
Leave the lights on: The random deaths and murders are pretty disturbing. It's one of those films that you scream "No! No!" to, hoping that'll save the inevitable victim.

Shutter Island (2010)
Plot: Drama set in 1954, U.S. Marshal Teddy Daniels (Leonardo DiCaprio) is investigating the disappearance of a murderess (Patricia Clarkson) who escaped from a hospital for the criminally insane and is presumed to be hiding on the remote Shutter Island.
Don't be afraid: You'll be so entranced by the hidden messages that Martin Scorsese weaves into the allegory-filled plot, you'll hardly notice all the crazy people roaming the island.
Leave the lights on: It screws with your head a bit. You're never sure what the truth is and it might drive you a little nuts.




Reader Suggestions: The Forgotten (2004), Godsend (2004), Secret Window (2004), Taking Lives (2004), Flightplan (2005), Pulse (2006), Awake (2007), The Number 23 (2007), The Eye (2008), The Uninvited (2009)


Comedic Horror
I know the point of scary movies is to get scared, but isn't it so much more fun to have the erratic unbalance of being both frightened and amused? No? Is that just me then?

Bud Abbott Lou Costello Meet Frankenstein (1948)
Plot: Two hapless freight handlers find themselves encountering Dracula, the Frankenstein Monster and the Wolf Man.
Don't be afraid: These two idiots falling over themselves to get away from the mysterious creatures will make you feel pretty silly about being afraid yourself.
Leave the lights on: Everybody else maybe goofing off, but the creatures aren't. They're acting like they're in a totally different movie...a scary one.

Gremlins 2: The New Batch (1984)
Plot: The Gremlins are back, and this time, they've taken total control over the building of a media mogul.
Don't be afraid: The first one isn't really all that scary, but the second one is even more enjoyable. Just imagine a bunch of Wall Street-types being driven crazy by a bunch of cackling, mischievious creatures.
Leave the lights on: They're really, really, really ugly. Whoever designed those things created them in the likeness of a grinning demon. It's the kind of image that sticks with you even after you close your eyes at night.

Monster Squad (1987)
Plot: Dracula is alive. In fact, he plans to rule the world and that is why he seeks the help of other legendary monsters. However, a bunch of kids, regarded by their peers as losers, uncover the devious plan and prepare for a counter strike.
Don't be afraid: It's basically like The Goonies, but with creepy characters—adorable kids running around, cracking jokes, and being rambunctious. And, they even have their own version of Sloth in the form of Frankenstein.
Leave the lights on: Dracula, a mummy, a lizard creature, and werewolf are all in the same movie. Need I say more?

Beetlejuice (1998)
Plot: A couple of recently deceased ghosts (Alec Baldwin and Geena Davis) contract the services of a "bio-exorcist" (Michael Keaton) in order to remove the obnoxious new owners (Catherine O'Hara and Jeffrey Jones) of their house.
Don't be afraid: Beetle Juice's first objective is to have fun. Scaring humans comes in as a close third. And getting laid (disturbingly) comes in at number two. Plus, let's not forget what fun you can have with ghosts.
Leave the lights on: You will be tempted to repeat his name three times...but you won't.

Elvira, Mistress of Darkness (1988)
Plot: Elvira (Cassandra Peterson), who is the host of a cheap horror movie program finds that she is the heir to an aunt's mansion in New England. The mansion is the home of some interesting magical items, but her first conflicts come from her attempts to bring some life to the small town, especially to the young people. The adults of the town are appalled by her dress, her tone, in fact everything about her, especially her sexual references.
Don't be afraid: There's plenty of raunch to offset the creep-factor.
Leave the lights on: You never know what could be stirring in that rickety old mansion.

The 'burbs (1989)
Plot: An overstressed suburbanite (Tom Hanks) and his paramilitaric neighbor (Bruce Dern) struggle to prove their paranoid theory that the new family in town is a front for a cannibalistic cult.
Don't be afraid: Okay, I know the plot sounds preposterous and potentially bloody, but really it's just a bunch of adults being driven mad with paranoia. It's fun to watch because it'll make you feel relatively normal for wondering if maybe that heavy black plastic bag your neighbor was dragging to the dump last night was filled with more than just food.
Leave the lights on: The suspense during their illegal investigations and breaking-and-enterings get a bit dicey, especially when they find body parts.

Nothing But Trouble (1991)
Plot: A businessman (Chevy Chase) finds he and his friends are the prisoners of a sadistic judge (Dan Aykroyd) and his equally odd family in the backwoods of a bizarre mansion.
Don't be afraid: Between both Dan Aykroyd and John Candy playing multiple characters and Chase trying to outsmart his captors, there's plenty to keep you laughing.
Leave the lights on: Being stuck in the "backwoods" of anywhere is a prime setting for an untimely and unexpected death. Being captured and taunted by a family of sociopaths, just sounds like you've discovered the perfect cast for your nightmare tonight.

Hocus Pocus (1993)
Plot: After 300 years, three sister witches (Bette Midler, Sarah Jessica Parker, and Kathy Najimy) are resurrected in Salem, Massachusetts on Halloween night, and it us up to two teenagers (Omri Katz and Vinessa Shaw), a young girl (Thora Birch), and an immortal cat (Sean Murray) to put an end to the witches reign of terror once and for all before they kill all the children in the town.
Don't be afraid: The witches are like bumbling idiots, cartoonish and goofy.
Leave the lights on: They're pretty sick. I mean, they are trying to steal the souls of hundreds of children to regain their youth and beauty.

Shaun of the Dead (2004)
Plot: A man (Simon Pegg) decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
Don't be afraid: Just imagine if the fate of the world were in the hands of two slackers. Now laugh.
Leave the lights on: Some of those zombies are really gross, and it gets a little nerve-wracking when they're surrounded by hundreds of them.

Zombieland (2010)
Plot: In the early 21st century, zombies have taken over America. A shy and inexperienced college student (Jesse Eisenberg) uses the rules he's learned to live by to travel to Ohio and find his parents. Along the way, he meets a boisterous, zombie-hating gunslinger (Woody Harrelson) headed for Florida, and a young woman (Emma Stone) and her little sister (Abigail Breslin), who are headed to an LA amusement park they've heard is zombie free.
Don't be afraid: Learning the rules gets addictive, and Eisenberg injects enough humor into every suspenseful scene to keep you laughing while screaming.
Leave the lights on: There's a reason you have to "double-tap" these zombies. They're relentless—"climb up a rollercoaster" relentless.


Plot summaries courtesy of IMDb.

Wednesday, October 28, 2009

VIDEO: Chris Brown's "I Can Transform Ya" feat. Lil Wayne & Swizz Beatz

I try my hardest to disregard the personal lives of actors and musicians, so with that said...

Chris Brown is trying his hardest to remind you that he should be famous for his performances and not his transgressions. In this video, he incorporates a mixture of martial arts and the robot into his dance moves. It's extremely impressive. However, I'm not quite sure why the song references the Transformers and the dancers are rocking G.I. Joe-type gear, since both of those summer blockbusters hit theaters months ago. Perhaps this video had an earlier release date, which just reminds us all again why it was put on the backburner. Nice try Chris. Maybe next time.

Sunday, October 25, 2009

TV NEWS: "Dollhouse" Getting Shutdown?

Looks like "Dollhouse" is being gradually cancelled. The series will take a break during November sweeps and return in December to air the remaining back-to-back episodes as a last ditch effort to stay relevant. However, there are signs that any chance of it being revived are non-existent. Rumors are buzzing that Joss Whedon is directing an episode of "Glee," and may stay on permanently. Random right? Check out what the cast is up to:

Eliza Dushku (Echo) is attached to the thriller Valediction, about a father (Ben Barnes) who thinks he can communicate with his daughter who is stuck in a coma.

Fran Kranz (Topher) managed to secure a role in a horror thriller co-written by Whedon and Drew Goddard ("Lost" and Cloverfield) called The Cabin in the Woods.

Tahmoh Penikett (Paul) is set for a SyFy miniseries called "Riverworld," which is based on Philip Jose Farmer's novels. He'll be in the lead as a journalist who dies in an explosion with his fiancée, and wakes up in a world populated by everyone who has died. "They soon team up with Mark Twain and other resurrected souls to travel upstream in an attempt to find what who or what is behind this."

Enver Gjokaj (Victor) just wrapped Stone with Robert Deniro, Edward Norton, and Milla Jovovich. The thriller centers on a "convicted arsonist who looks to manipulate a parole officer into a plan to secure his parole by placing his beautiful wife in the lawman's path."

Dichen Lachman (Sierra) will star in the crime drama Sunday Punch, an indie about "a ring girl who decides it's high time to get out from under the thumb of a local gangster, and burn every bridge she can on the way out."

Olivia Williams (Adelle) has two films on the horizon, a biopic of the punk-rock founder Ian Dury called Sex & Drugs & Rock & Roll, and Ewan McGregor and Pierce Brosnan's mystery thriller The Ghost, about a ghostwriter who uncovers secrets while writing the former British prime minister's memoir.

TV Topic: "Melrose Place" Remodel

In a last ditch effort to save the flailing "Melrose Place," the series (re)creators are aiming for a sunnier image. They thought the way to differentiate themselves from "90210" and "Gossip Girl" was to incorporate more criminally scandalous plot lines, like theft, murder, and prostitution, but the kids aren't biting.

So they've made plans to wrap up the entire Sydney mystery by the 12th episode, and make the series more of a "fun, romantic, sexy upbeat kind of show," which involves dropping Ashlee Simpson-Wentz (Violet) and Colin Egglesfield (Auggie) from the roster. I guess it would be difficult to make a more "upbeat" show with a psycho on the loose, but I'm not quite sure how Auggie factors into that. My theories are that he either killed Sydney and Violet's seducing him for payback, or she'll kill him once he officially rejects her. Either way, they're out after the next five episodes. I'm not sure what Ashlee has lined up, but I hope Egglesfield doesn't give up and return to soap operas. I'm sure he can weasel his way into another CW series.

The series creators are also planning to add new characters and give Heather Locklear a bigger character arc, making her more of a central character, complete with love interest. With all of these promises, they've managed to squeeze out an order of five more episodes, guaranteeing us 18 in total. I must admit I'm a little intrigued as to what this "upbeat" Melrose will look like, especially since I just got used to the idea of doctor-by-day/whore-by-night Lauren relying on secretly broke thief David. I see sparks flying.

TV Topic: Save Robert Buckley from "One Tree Hill"


Alright so when "Lipstick Jungle" was first canceled, I was eager to get Robert Buckley, its breakout actor, into a new project. I thought he had real charisma that surpassed his pecks, which he proved when he put some clothes on for a substantial role in "Privileged." Unfortunately, it was canceled as well. However, the CW has a knack for giving most of their jilted stars a second chance on another or a new series. We've seen that happen with Jared Padalecki (from "Gilmore Girls" to "Supernatural"), Bret Harrison (from "Grounded for Life" to "Reaper"), and even Ian Somerhalder (from "Young Americans" to "Smallville" to "Vampire Diaries"). So Buckley gladly suited up to play Nathan's smooth-talking, manwhore agent on "One Tree Hill."

Okay, so you could argue that he's had more lines on this series than any other, and that he's gearing up for a truly dramatic character arc surrounding the reason his agency forced him to minimize his client roster and vacation on the beach for the summer. But the thing is I have no confidence that "One Tree Hill" writers will create a good enough reason for why he had his so-called "meltdown." Nor do I care enough as to why he had it. Plus, his budding romance with Haley's sister Quinn is so dead in the water—about as dead as her eyes whenever she delivers a line, including the happy ones.

I'll admit, I gave up on OTH a season ago, but if this is what he needs to peddle in order to be taken seriously, I'd rather see him in another Lifetime movie playing the man-meat to some hasbeen cougar. Or he could just take a chance at auditioning for other shows. Let's see, what would he be good in? "Grey's Anatomy" is way too crowded right now. "Eastwick" already has jailbait, even though technically Kat is currently stealing Joanna's hottie away, leaving her hunkless. He could join "Drop Dead Diva" as Grayson's competition for Jane's heart, despite the fact that she also has a lawyer boyfriend and a mysterious husband who just magically appeared. Oooh, no wait, "Melrose Place" could use a new guy, especially since beefcake Auggie will exit the series after five more episodes. Honestly though, anything but this melodramatic crap I'm being subjected to.

TV NEWS: New Shows for Angie Harmon, Judy Greer, Sarah Shahi, and Stanley Tucci

• When is Judy Greer ("Miss Guided" and 27 Dresses) going to get a TV show with staying power? She's currently attached to an ABC multicamera comedy adapted from the novel I'm With Stupid, which is about a Manhattan girl who deludes herself into believing that she fell in love with a park ranger while on a South African safari. When she gets back to NYC (and the real world), she starts to miss him. That is until he shows up on her doorstep, moves in, and starts to show a side of himself that didn't register during their exotic fling. Apparently, he's really dense. *sigh* Since the series won't last anyway, I vote for Travis Kimmel ("Tarzan" and "The Beast") or Jason Lewis ("Sex and the City") for the hunky role. They've made playing dumb an art form.

• Yay! Sarah Shahi scored a new series on USA. After "Life" was cancelled last season and she gave birth this summer, her career was sort of up in the air. But she has a shot at making a name for herself on her new cable series, "Facing Kate," where she'll play a newly divorced San Franciscan who quits being a lawyer to become a mediator. I guess since she couldn't save her own marriage, she's trying to save everyone else's. I would say it sounds kind of boring, but I thought the same of "The Good Wife" and "Drop Dead Diva" at first, and I was proven wrong...twice!

• Speaking of which, Stanley Tucci is attached to an HBO political drama that's sort of in the same vein as "The Good Wife," except it's from the politician's perspective. It'll follow a man who must recover from a scandal both career-wise and personally. It just marks the addition of yet another seasoned film actor to the TV ranks.

• After the major failure of the "Women's Murder Club" series last year, Angie Harmon took a little break from TV. She popped up again earlier this year in an episode of "Samantha Who?", which was also cancelled. Now it seems she's ready to return, but this time she's shooting for cable. TNT is developing a crime drama called "Rizzoli," which is based on Jane Rizzoli's mystery novels. Harmon will play a Boston detective who works with a female medical examiner, who hasn't been cast yet. So far the only promising news about this series is that the pilot was written by a "Bones" writer.

TV NEWS: New Music Plans for "Glee," "Southland" Saved, and more

• "Glee" has a lot of new developments in the works. Apparently, musicians are bombarding them with offers for the cast to sing their songs. Even Madonna jumped on the bandwagon, "gifting" them her entire music collection, and greenlighting a Madonna-themed episode slated for next year. There are also plans for an original song episode, where the students will be given the task to write their own song, which'll be written by Diane Warren, who wrote Aerosmith's "I Don't Wanna Miss A Thing" and Cher's "If I Could Turn Back Time."

• It looks like TNT is about to do the incredibly unexpected. If USA is building a rep for unorthodox crime procedurals ("Monk," "Psych," "Burn Notice," and "White Collar"), then TNT is definitely trying to create a hierarchy of female-oriented crime procedurals. First "The Closer," then "Saving Grace," and now Angie Harmon's "Rizzoli." But to beef up the testosterone on the channel, they've developed "Raising the Bar" and "Dark Blue," and now they'll even out the playing field by starting negotiations to acquire "Southland."

• I'm not too excited about the Facebook film, but ABC's social networking series "Boyfred" might be worth watching. It's about a web designer "whose girlfriend goes overseas, so he creates a website for their circle of friends to keep in touch." Most of his friends are music bloggers, so music is a central part of the series. Following six twentysomethings, it's "Friends" for the computer age.

FILM: Butler vs. Fiennes, Selena Gomez's 1st Feature, Ryan Kwanten as a Hero?, and more

Gerard Butler finally scored a role that isn't all fluff. He'll co-star in the Shakespearean adaptation of Coriolanus as the enemy of Ralph Fiennes' (The Reader) title character. John Logan (Gladiator) is adapting "the tragedy about a devoted and arrogant soldier whose political machinations and military might gain him heroic status, but ultimately lead to his assassination." The position he's put himself in is sort of a catch-22. If it does badly, it just proves that his career is slowly tanking. But if it does well, it'll just prove that he's only profitable when he's in a period piece.

Timothy Olyphant is comically claiming scheduling conflicts for why he can't be in the sequel of Hitman. Apparently, he's starring in the FX series "Lawman," so he can't film it. Just tell them that it sucked Timmy.

Selena Gomez is starring in her first feature film, What Boys Want, where she'll play a teenager who can hear what guys think. Obviously it'll be PG, unlike the everyday thoughts of the male gender, which'll make it lame.

Susanne Bier, the director of Things We Lost in the Fire, is in negotiations to direct the rom-com Which Brings Me to You. Even though I didn't love her last film, this one has an interesting plot: "The story centers on a single man and single woman who meet at a wedding and begin a relationship in which they write letters describing past romances and missteps." I hate to repeat this cliche, but people just don't write letters anymore. And I'm excited to see what one would sound like in our technologically diluted generation.

• A sequel to the dance film Stomp the Yard subtitled Homecoming is in the works, but Columbus Short, the star of the original film who benefited from its success, won't be reprising his role. Casting is in the works.

Ryan Kwanten ("True Blood") had 15 minutes of fame and he's looking to capitalize on it by signing on for as many films as he can. Unfortunately, the first film he signed on for since his skyrocketing success was Griff the Invisible, a film about a "superhero by night/office worker by day whose world is turned upside down when meeting a cute scientist lady who takes a particular interest in him." Something about that just sounds really low budget and tacky, like My Super Ex-Girlfriend.

• So far Slumdog Millionaire has been the only film about Indian people that has been successful in the last decade. So my fingers are crossed for Nayan Padrai's indie romantic comedy When Harry Tries to Marry. "The story involves a rich, 22-year-old Indian-American college student who shocks his assimilated Indian family with his desire to skip the whole 'love marriage' thing and opt for a traditional arranged one with an Indian girl instead. The situation becomes more complicated when his feelings for a longtime American friend deepen." It'll star relative unknowns just like Slumdog did, but hopefully the trailer will help it sell itself.

Thursday, October 22, 2009

VIDEO: "Mercy" vs. "Grey's Anatomy"

In the last two weeks, both "Grey's Anatomy" and "Mercy" have had male characters screaming like women at the top of their lungs. Alex was frightened by a bear and Angel was trying to desperately awaken a sleepwalking patient who was about to jump off the hospital roof. The question is: Whose girly scream is the best? Technically only one is supposed to be funny, but also take into account pitch and delivery. lol




VIDEO: SNL News Update "Winnie the Pooh's Igor Commits Suicide"

I know this is old, but it still makes me laugh. Igor truly was unusually down in the dumps for a cartoon character:


Saturday, October 17, 2009

ALBUM REVIEW: Shakira's "She Wolf"

I never really liked "She Wolf," eventhough I joined in like everyone else to howl like one. So naturally, I became concerned about her comeback album. She hasn't released a record in four years, which is understandable considering she was fresh off a double (bilingual) album. But the first single off a new album is supposed to be indicative of the new sound. Hence, my trepidation. However, after hearing "Good Stuff," I'm starting to think that the sound she's going for isn't...bizarre, but dance. This album is exactly what a Shakira club record would sound like.




While her album isn't set to hit the U.S. until Nov. 9th, it's already been released overseas, and therefore leaked on Youtube. Funnily enough, "Good Stuff" isn't even one of her singles. According to Wikipedia, "Did It Again," which she's already started peforming all over, will be released as her second single next Wednesday. It's easy to dance to and a lot more mainstream than "She Wolf." Maybe Pharrell Williams can take credit for that, since he produced the track, and is the most prominent producer on the album. He also produced, "Long Time," where he gives her Reggaeton-infused rhythm that transcends Daddy Yankee's cheesiness, and "Why Wait," where he incorporates her favorite Indian beats.

In November, she's set to release a track that isn't even on the album, "Give It Up to Me," which features Lil Wayne and Timbaland. Timbaland somehow manages to mix techno sounds with the Indian beats Shakira is known for. With such star power, it has the best chance of getting the video treatment next. Wyclef Jean also contributed to the album, producing and rapping on "Spy," which aims for a Madonna-like seduction, but really just makes me want to do the Electric Slide for some reason.

Some of the non-star-studded tracks veered away from the club vibe. For example, "Gypsy," which sounds kind of country with a banjo, and "Mon Amour," which sounds like something Avril Lavigne would sing if she had a Spanish accent.

"Men in This Town" is actually my favorite, even though she's pretending to be single to sing about the shortage of good men. It's the most enjoyably clubby. I could totally hear this playing on "90210" and "Melrose Place."





For those of you who love her Spanish tracks, you might be happy to know that the album is rounded out with Spanish translations of "Did It Again" ("Lo Hecho Esta Hecho"), "Why Wait" ("Anos Luz"), and "She Wolf" ("Loba").


Who Should Buy It: People who love to dance
Does It Have Epic Potential: Not really. Not even in the Dance category of music history.

FILM NEWS: Chris Pine as Jack Ryan, Jolie & Worthington in The Tourist, Reynolds in Drag, and more

• Seems like DJ Caruso is curbing the comic adaptation Y: The Last Man until he can find the right leading man. So instead he's started working on The Art of Making Money for Chris Pine (Star Trek), which is based on the 2005 Rolling Stone article that later turned into Jason Kersten's book The Art of Making Money: The Story of a Master Counterfeiter. Pine will play a character whose name is Art Williams, an alias the con-man concocts as he graduates from petty thievery to master counterfeiting. It's a good thing Caruso scored Pine when he did, because he just landed the biggest coup of his career to which his role in Star Trek will pale in comparison. He's in negotiations to revive Tom Clancy's famous CIA character Jack Ryan, who's been played by Alec Baldwin (The Hunt for Red October), Harrison Ford (Patriot Games and Clear and Present Danger), and Ben Affleck (The Sum of All Fears). If it's rebooted properly, unlike many times before, it could result in a Bourne-like trilogy. The only odds against it are that it won't be following the novels, just the concept, and the writer working on the screenplay is Hossein Amini, who doesn't exactly have the best track record (i.e. The Four Feathers and Killshot).


• I'd never imagine that Angelina Jolie and Charlize Theron were interchangeable. But apparently everyone is jumping ship from the upcoming thriller The Tourist. First Tom Cruise retreated, then director Bharat Nalluri (Miss Pettigrew Lives for a Day) pulled out, and now it's had to replace it's leading lady. The producers seem to be desperate to remake the 2005 French film, so they have Jolie in for Theron and Sam Worthington (Terminator Salvation) in for Cruise. The "story centers on an American tourist who, on behalf of Interpol, goes undercover to entrap a former lover who's a suspected global criminal." While I don't doubt that the scenes between Jolie and Worthington will steam up the big screen, the frequent cast changes don't bode well for the film in general.

• People keep asking Will Ferrell to stop playing overgrown children with sports careers, so he's branching out in under-the-radar indies. I loved him in Stranger Than Fiction, so I'm not concerned about him being able to deliver a great performance. I'm just not sold on the premise of his latest project. In Everything Must Go, he'll play "a man who loses his job and gets locked out of the house by his wife. She deposits his belongings on the front lawn, and he spends the next four days trying to sell his possessions." Sounds...kind of depressing, and not in the what-a-great-life-lesson kind of way.

Matthew McConaughey is one of those people that you wish would differentiate his resume, but really hate when he does. He's going to play an LA lawyer who operates out of the back of his car defending criminals until he lands a huge murder case. Even though Tommy Lee Jones co-stars, I can't really picture McConaughey with a suit on...or a shirt.

• I think it was bound to happen eventually. Nearly every funny man has donned a dress at one point in his career and now it's Ryan Reynolds' turn. He's signed on for an untitled rom-com where he'll play "a jilted lover who must disguise himself as a woman and befriend his ex in order to win her back." Come on? You can't do better than that?

• I, personally, think that only Simon Pegg (Shaun of the Dead) can make murder funny. The hilariously awkward Brit and his fellow countryman David Tennant ("Doctor Who") are teaming up for the period comedy Burke and Hare. It's about two men who "fall into the highly profitable business of providing cadavers for the medical fraternity in 19th Century Edinburgh, then the centre of medical learning which was always short of bodies." So what do you do when there aren't enough dead bodies? Duh! You make them—supply and demand!! "In real life the case became known as the West Port murders. Hare's wife ran a lodging house where Burke stayed and whenever a patron looked to be on their death bed they would accelerate the process." Hmm, sounds like Sweeney Todd.

Justin Long briefly returned to horror movies this year with Drag Me to Hell, and now he's trying his hat at drama. He's signed on for Robert Redford's historical drama The Conspirator to play a crippled soldier who is best friends with James McAvoy's lawyer character. "The story follows Confederate sympathizer Mary Surratt (Robin Wright Penn), who was tried as a conspirator in the Lincoln assassination, and Col. Frederick Aiken (McAvoy), who reluctantly agreed to defend her before a military tribunal." Evan Rachel Wood has also signed on as Penn's daughter.

• Gee, why won't Amber Heard just go away? I think the main reason I won't be watching Penn Badgley's ("Gossip Girl") The Stepfather, besides the fact that it reminds me too much of Disturbia, is because of her vacant acting. Now I can't even watch Leighton Meester ("Gossip Girl") in Cowgirl Bandits, which is said to be a younger take on Thelma & Louise. Seriously?

• I don't know why but Rashida Jones (I Love You Man) and Will McCormack ("Brothers & Sisters") are adapting a graphic novel about a wealthy heiress who works for the CIA called Frenemy of the State. That doesn't really seem like her style.

Ian Somerhalder must be enjoying the attention he's getting for being smolderingly sexy on "Vampire Diaries," because he just signed on for the gothic fairy tale romance Cradlewood. It's about "an Australian woman (Emma Lung from The Boys Are Back) living in Boston with the heir (Somerhalder) to an incredible fortune whose family history is swirled in a legend that tells of a pact made with a demon which ensures that whenever a boy is born into the family, the father is killed. The heir suspects his girlfriend is pregnant, and after strange events occur, he comes to believe he will die if he continues to fall in love." Since it's a romance, I'm assuming he choses the kid's life over his own. But who knows, there could be a loop hole. ;)

• It seems that Camilla Belle is over being creepy, scared and damaged (see or don't When a Stranger Calls, The Quiet, and Push). She's about to get into some lighter fair with the romantic comedy Prada to Nada, where she'll star alongside Alexa Vega (Spy Kids), Wilmer Valderamma ("That 70's Show"), Adriana Barraza (Babel), and Kuno Becker (Goal! trilogy). It's said to be a Latina version of Jane Austen's Sense and Sensibility, adapted by Fina Torres (Woman on Top) and Luis Alfaro (Electricidad). The plot centers on "two spoiled sisters left penniless after their father's sudden death and forced to move in with their estranged aunt in East Los Angeles. There they find romance and love for their culture."

Norman Ollestad's memoir Crazy for the Storm is being adapted into a dramatic film, and I'm genuinely excited. I can't wait to see who they pick to play an 11-year-old kid who was stranded in the icy San Gabriel Mountains after his plane crashed there, killing his father. Watching him fend for himself with only the survival skills his adventurous dad taught him could be Oscar-worthy. Since most of the critics are loving Where the Wild Things Are, maybe the 12-year-old star Max Records will score the part.

• As soon as I heard that Lisa Fineberg Cook's memoir Japan Took the J.A.P. Out of Me was being adapted into a film, I started thinking up possible people to play the lead. In the book, Cook "relocates to Japan six days after marrying her husband, who had taken a one-year teaching job in Nagoya. Having left her valet-defined L.A. life behind, Cook endures the abrupt transition to a culture severely lacking in manicures and Jewish-American women but teeming with cooking, cleaning and commuting duties." So, who can play a yuppy brought down to a middle-class level? I was thinking someone like Sarah Jessica Parker or Nicole Kidman—you know, someone who doesn't look like they've ever washed a dish in their life.

• Read this and tell me if you don't say "Whaaaat?" The plot of Five Hours South is: "a small-town Italian policeman struggles to pursue his passion for break-dancing while dealing with a secret from his past." There is just sooo much wrong with that sentence.

Friday, October 16, 2009

TV TOPIC: "Grey's Anatomy": New Doctors from Mercy West

Ooooh! It was war on "Grey's" last night with the new arrival of the Mercy West doctors. Check out the competition:


Cristina vs. Dr. Jackson Avery (Jesse Williams from Sisterhood of the Traveling Pants 2)
He got Owen to give him Cristina's surgery, won his affections, and made a name for himself as the ER-hero for tackling a violent patient. He's like Cristina, but with a penis—determined and hungry.
Winner: Avery. He happened to catch something wrong with her patient when she wasn't around, so Owen gave him her surgery. It led to a blow-out argument with Owen, but in the end, she just gave up. She confessed to Meredith that she's tired of fighting for surgeries she doesn't care about, and she wants to hold a heart in her hand again. I'm hearing that she might get that chance soon if the chief hires a new heart surgeon, who I believe might be played by Kim Raver ("Lipstick Jungle").


Alex vs. Dr. Reed Adamson (Nora Zehetner from "Everwood")
Adamson is kind of like Cristina in that she's heartless and steals patients and surgeries, but Alex wasn't giving up without a fight. They both were openly negating each other, finding flaws in each other's charts, and misleading one another, which led to their patient being misdiagnosed.
Winner: Adamson. Owen got really pissed at him when he failed to notice a certain problem, so he wouldn't let him weasel his way into the surgery. In the end, I couldn't tell which one got to go into surgery, even though he did tell her the wrong neurosurgeon to report to after saying she could do it. However, she had way more wins than him in the long run.


Izzie vs. Charles (Robert Baker from "Valentine" and Leatherheads)
At first Charles was charming and friendly. He revealed stuff about himself and he complimented her a lot. It seemed like she was hoping he could be her new George, especially after Adamson refused to not occupy his cubby. However, I thought he was flirting with her. But the truth is he was just manipulating her into giving him all the inside info he needed. He called her his "surgical bitch," to which she responded by dropping coffee on his sneakers. I would've decked him.
Winner: Charles. Because he screwed up her concentration, she mistreated a patient and ruined their last chance to get a transplant. Bailey ripped her a new one and the chief fired her. Unfortunately, during his lame laid-off speech, he stupidly referenced when Alex begged for her job, which made her so angry she left Alex a "Dear John" letter without any clue as to where she was going. If I were Alex, I'd kick Charlie's ass...instead of going to a recovering Meredith and an unhuggable Cristina and crying.


Lexie vs. April (Sarah Drew from "Everwood")
She pretended to be super sweet and was all smiles, but she was actually a neurotic passive aggressive. She spent most of her time scribbling in a little notebook, undermining Lexie's treatment recommendations, and doing her work before she got the chance to.
Winner: Lexie. It turns out that book was filled with self-affirming mantras that get her through the day. Go figure. She's uber insecure. She should be. Lexie is a natural born doctor, and actually way better at being a mean girl than you'd expect.


Final Score:
Seattle Grace - 1
Mercy West - 3


It was a tough fight, but I enjoyed the battle. We learned about the new doctors in a fun way and a lot of drama unraveled. All in all, it was a great episode. I especially loved the separate "coming out" pow-wow that Callie had with her dad, and Arizona's inspiring speech to convince him to accept his lesbian daughter. The best line had to be: "You can't pray away the gay!!!" You tell 'em sister!

The juiciest news I've read on the blogs is that Adamson is the one to worry about. She could potentially disrupt three different romantic relationships, going after the recently jilted Alex, or Mark, who could veer away from the sweet to the headstrong, or Derek, whose wife is on bed-rest for the next couple of episodes. Yay! Drama! It's probably more likely that Alex gives in though, since Derek is newly married and Mark just realized he's in love with Lexie. Poor Alex has had a pretty bad year and he just might find comfort in the wrong place. I would actually prefer a little action for Jackson. I mean, Charlie claimed during his con that he liked Adamson, but Jackson's hotter, and I can totally see Cristina consoling herself in his arms just to spite Owen. As of right now, none of the docs are slated for more than three episodes. So until the fans weigh in on what they think of them, they're all in danger of getting the boot. I kind of like what they all bring to the table. Next week, though, another doctor is fired after twelve are interrogated for a horrible mistake made in the ER.